Try. Try was the only word he heard. Oh boy, he didn't want her to get started up again, with the talking to him. She slipped that in there, that "try."
You know, when people whisper, their voices sound the same, and gender's lost in the lightness and speed of the air between the chords. So he missed that, and thought for sure that was his voice that softly whispered, "try."
When he listened for it again, though, another iteration, just as he almost put his fingers to the keyboard, and it came through just a bit louder, "try again," just as he opened the page and noted the symmetry of the numbers at the top, "11/19, 9:11," it was unmistakably her. Just a few decibels, a few fractions of an octave higher, was enough to betray the gender of the voice.
It was her. It was you.
Ah, but don't back away now, though, just because you've caught me. Just write up the teeny bit you had upstairs while I was in the back room. You know the piece, the one related to rather current events. It will be fun, and I will keep you safe.
He thought of feinting, there, for just a moment: one little quick sidestep might just do the trick. But. But, he already knew the outcome of this one - the siren through the fog, the muse through the mist, the voice, her voice, dawn (shall I call you that, darling?) through the dream in the dark. He'd listened. In that single-syllable scrap of sound, he'd given himself over to Stringfellow's primitive act of love, and listened, and thusly made himself vulnerable and accessible to that word. Still, however, forgone conclusion aside, though he knew she knew, he thought he ought restate where he stood.
No. It will only make me cry, and talking through tears, you know nothing can be said or done that way.
I won't let you cry, she promised.
And he thought, yes, yes baby, milk me just enough morphine for a few more words. He felt pretentiously blessed for his relationship with her. Not felt, more pretentious still, knew. He tempered this, telling himself she just needed to save someone, and it wasn't him, for he'd been lost long ago.
No. It's you. It's you, too, baby, she reassured. He couldn't tell if she was lying - or told himself he couldn't. This, then, at least was a draw, which beats a defeat and he didn't care about a victory any old way. The closer one draws to the grave, after all, the less one cares about victories. What good is a victory, anyway, when you're too old to spend the spoils; when the best you can do is carry it to your grave and wear it as a medal pinned upon your empty chest?
No, at this age the best you can do with a victory is to give it to someone before you die - place the crown and the coin and the glory and girls and all the other spoils of this dirty little war at someone else's feet, in someone else's lap. Theirs, not yours. It and they never were, not for more than moments at a time.
Yes, and you know, darling, I would so be lying if I ever said those were never enough for me. I really would, baby.
Right, and you have children, too.
Yeah baby, there are those.
Okay, then, these few paragraphs.
Some of you are new here. This is my journal.
I think I mentioned last week, or maybe the week before, that someone had written me a letter. I don't remember what I said about it at the time, neither her nor the letter. I’ve met her in real life a single time, before. A span of a college education ago, I met her, and not one word have we exchanged since two ten or twenty-line conversations shortly thereafter. She's not on any list you can see, and her name for this does not matter, for this is not about her, but about her letter.
A more astute observer may have noticed [right here is where I felt it was going to get longer, or thought I might never show it, so I moved it to Word, to continue] that on my list of interests is “ageplay.”
[It’s actually not on my list, I now notice, but to be found in various forms in my community list.]
This, then, was what her letter was about.
She wanted to talk about this.
I’ve been skeptical.
From what I can understand of it (which is very little indeed), in a dance, dirty or otherwise, there is one who leads and one who follows. So, my skepticism has kept me from either of those roles. Rather, I’ve practically refused to even rise from my chair, which has been backed up against the gymnasium or dance hall wall for some long time.
And, if a dance at all, it’s not a dirty dance, or even a slow one she’s asked for in her letter, either. Nor, certainly, I emphatically point out, has she asked me to come out and into the warm night air and under the stars. But if she had, I bet I’d think it was only to get me into some nearby gutter, alone and gutted, but all the same, lying in my blood and vomit, still staring up at the stars.
These, these have not stopped shining for me since the moment I saw them.
Tell me darling, will I still be able to see these through the casket lid, the vault, the earth?
I don’t know, baby, probably not. But your children, and the children of others, these, honey, they will dance under their light till dawn and far beyond, too.
Okay.
Am I writing the end of it, now? Love? Am I writing the end of it soon?
I don’t know. Well, I do, but that’s a secret, you know that. It’s always been a secret.
Okay.
So, yes, positive, or very nearly almost so, that it’s not any kind of dance she’s asked for in her letter to me, I’ve remained stiff in my chair, my hands folded in my lap, my feet firmly on the floor, and have assumed it’s only just an explanation she wants from me – an explanation in simple English without analogy of the only dance I really know by heart, the only dance that dances from my soul.
There’s actually another dance I think I know, or have learned, and it’s a sort of waltz, the sort of waltz that I think Leonard Cohen is singing about in “Take This Waltz,” the kind with its broken hand on her jaw. I’m not sure I’ll ever get to dance that one, but somehow, its more than enough to know that someday I might. I have already at least walked through its steps a time or with my last lover.
Where was I?
Oh. The letter, ageplay, current events, the movie last night, all those things. Well, current events is redundant to the letter and the movie last night.
I don’t think I’ve managed to say a thing.
Toward the end of “Control,” Ian Curtis is, I think, talking to himself, or maybe it was that he was talking to the manager, or his lover, Annike, I don’t remember. But, anyway, he is explaining how it is to perform, to sing, to give, and how people simply don’t realize how much of himself is required to do that.
Not to elevate myself from this gutter to any place where Ian Curtis may have been or now is, but that is how it also became for me – I’d like to think
[11/21/2009; 1:54 PM; This is where I stopped, and tried to escape in dreams the rest of whatever it was that I might say. It’s important to note, for sure, that there is no period after the last word of that sentence. There wasn’t meant to be. I stopped mid-sentence. I was not saying that I’d
like to think that is how it became to me. I was saying, had already said in the bit that came before, that that
is how it became for me.]
So, back now, and to continue (I think or hope)
up here.